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The Freewaves Project is an ongoing experiment with sacred geometry and math, with the goal of understanding ways to raise consciousness with divine sound, and help us go beyond "concepts" of spiritual salvation, beyond personal agendas and false ego, to be the fullness of Light Beings, as Christ was on the mount of transfiguration. I also seek to change water to a higher, energetic water to help improve health of mind, body and spirit. May IAUA help us with this divinely inspired mission, and reveal to us the truth we seek, with Love.
 While the research about the "Perfect Circle of Sound" espoused by Leonard G. Horowitz is enlightening work, The Freewaves Project offers some other perspectives for experimentation, and together we may be able to learn more. As some of you may know, I've displayed the sacred geometry discussed here in my Range Guide crest for at least 10 years. I think people are more receptive now to look into this. I see many others are searching along this path as I am, with a common goal with all life in mind. The "7 Grid" accurately displays another perspective to the "Perfect Circle of Sound" which suggests that the Love frequency is 527 (numerologic), not 528, considering the foundation on which the "Perfect Circle of Sound" is based on "verse numbers". I hope that people will join together on this project and share with me what they learn. This is my intention with this webpage, to share with you all. I hope this will be shared freely, and not used by someone without proper credit to those that have brought us to this understanding.
 I greatly respect Divine Revelation, and live my life by it, and it is where I got the graphical concepts presented here. However, I take acception to those who alude to some sort of superiority, focusing on ethnicity or formal education, as if it gives them better access to Divine Revelation and understanding of higher consciousness. All of us may recieve Divine Revelation. I also believe that Joseph Puleo may have come to different conclusions than Horowitz, What we do know for a fact is that the 527 hertz (527 peak amplitudes/cycles measured from peak to peak), or 528 hertz (includes 527 peak amplitudes, but measured from 0 amplitude to 0 amplitude) has phenomenal effects. The idea with this project is to establish frequencies, waves, tones and harmonics pivoting off of 527. We measure a wave by its cycles occuring within a 60 second period. The number 527 comes from having 527 peaks in a wave occuring in 60 seconds. Therefore, math discussions derived from that number must consider man's use of the 60 second time frame. The geometry I've presented is sacred because it is based on what I refer to as "the 7 factor", the number used in Holy Writ. This is where experimentation comes in the most for musical interests. I have an inclination that each of the frequencies may be used, likely as vowel sounds, individually with the human voice for best results.
 First, Seven is the number of perfection in the Holy Scriptures, not nine. Seven is the number of the major notes of the scale, not nine. However, the nine, of the 3-6-9 dynamic is included in the sacred numerics of seven (I'll demonstrate this later). This suggests an error in the math by Horowitz' team is that a cycle is measured from 0 amplitute instead of the peak amplitude of the wave, but they are correct about 528 hertz as currently measured with instrumentation. They are also correct about the dynamics of the 528 hertz wave regarding DNA and other "universal" aspects of the 528 hertz wave. Their way of measurement is not consistent with when a wave truly begins, which is at the peak, as when a tuning fork is struck for example. This in turn requires the tuning of the instruments, that measure hertz from 0 amplitude to 0 amplitude, to read 528 instead of 527. If the instruments measured the wave as I do, the dynamic of the "528" wave, which has dramatic effects of DNA, would actually read 527. Below are graphics showing the currently used way to measure a wave in cycles/hertz, and the way I measure a wave below that.
 Below is the Sacred Circle Of Sound from my research.
 Note that my Sacred Circle Of Sound has the following numbers and math. Note that there are 3 sets of geometric chords (the lines which return to the point of begining, as if bouncing off mirrors) in this graphic. Only the number 7 has this sacred geometric dynamic! Also note that the second-longest chords make TWO REVOLUTIONS around the circle. Also note the 3D shapes in this graphic. It has been my opinion that this graphic contains a secret to pyramid-power.
392 = 14 = 2 X 7 419 = 14 = 2 X 7 527 = 14 = 2 X 7 635 = 14 = 2 X 7 743 = 14 = 2 X 7 950 = 14 = 2 X 7 My math is based on the perfect number 7, which in sacred geometry has 3 sets of geometric chords (as displayed in the large graphic above. 7 is used throughout sacred texts and is the basis for "perfect truth" in math and spiritual-numerics. If you use radionic equipment and wish to apply my frequencies be sure to add 1 hertz to each of my frequencies because of the way the cycles are currently measured on the equipment, e.g., 527 will be 528 on your instruments. Ivan Panin also discovered the sacred 7 numerics in Holy Writ, and submitted over 41,000 pages to the Nobel research foundation with the resolve that ancient Hebrew and Greek writ of the Holy Scriptures were "super-naturally inspired". They agreed with Panin. 9 The distances between Horowitz' math (15/6), regarding the 3-6-9 Pythagoric system, and "mine" (14/5), and the distances between waves are as follows:
396 = 18/9 21 = 3 417 = 12/3 111 = 3 528 = 15/6 111 = 3 639 = 18/9 102 = 3 741 = 12/3 ABSENT
392 = 14/7 27 = 9 419 = 14/7 108 = 9 527 = 14/7 108 = 9 635 = 14/7 108 = 9 743 = 14/7 108 = 9 851 = 14/7 99 = 18 = 9 950 = 14/7 UPDATE 8-26-6: Fellow researchers have been experimenting with tone generators, and haev found that my frequencies, when played together at the same time, in basic sine wave, are pleasing, and reverberate with the chakras. The triangle wave, I find, is even more stimulating. You can get programs at Voicesync and another program at Freedownloadscenter. Other intriguing research from Dr. Simeon Hein, on crop circles and resonance, that supports my research based on the seven design can be found at the following website: http://www.mountbaldy.com/openingminds/ Dr. Hein has documented paranormal energies, that effect equipment, emanating from crop circles of all kinds, no matter who or what is making them, and that there is a resonate effect by the mere design in the geometry and shape of the crop circles. Below are some pics by Lucy Pringle for your consideration.
 The coned bands radiating out from the center in the crop circle above, as it meets the outer circle, has the same degrees between the closest points as the seven pointed one does. UPDATE 8-27-6: There have been some additional updates at the Crop Circle Language website. You are encouraged to check this out. UPDATE 8-26-6: I've recently heard an interview with Freddy Silva that resonated in my heart a great deal. I highly recommend that you visit Crop Circle Secrets, his website. Another incredible website that I have researched is Jon Depew's Coral Castle Code. He is a great fellow to talk with and is on to something very big, and needs our support too. I highly recommend that you visit this website also. Update 9-10-6: I've been dharing some information with other associates on this project, and have to state that we must be very careful with this work. They have informed me that the wrong frequwencies, if combined in a harmonic fashion can be very disruptive to the human body. This is why I have centered my math around the number seven, resulting in "14/5" configuration based on 527 cycles (5 + 2 + 7 = 14) instead of Horowitz's "15/6" configuration that based on 528 cycles (5 + 2 + 8 = 15). I've already explained that I measure cycles from peak amplitude instead of zero amplitude because a tone does not begin at zero amplitude (nothing), rather peak amplitude (like when a tuning fork has been struck). 528 cycles (527 for math purposes) is well known for its healing qualities. And I feel safe using this as the base reference for the other frequencies. As I began to look further into the relationship of the numerics I've arrived at, I saw that there was a equal distance of 108 digits between the frequencies of 419, 527, 635, 743, and 851. The distance between 392 and 419 is 27 (which reduces to 9 like all of my numbers), and the distance between 851 and 950 is 99 (still reduces to 9). What is notable in this is that the distance of 108 occurs with only five of these numbers. I tend to look for symetry and balance with the math, and so the thought came to me that five frequencies with the distance of 108 was more balanced. In addition to these reducing to 9, when 108 is divided by 9, the answer is 12. 12 is a number that has a great deal of significance in Holy Writ as well. Presently, I have come to lean towards 5 Solfeggio tones instead of 7, and doing some experiments with those five. In support of my current research regarding the appliaction of five of the seven tones I initially arrived at above, I am citing Sheradon Bryce, a highly gifted “intuitive savante” whose genetics and astrophysics concepts have been studied by scientists: “Dimensional realities are either going to be systems of five or systems of twelve. A twelve dimensional reality is a clone reality … Five is an individuating number in dimensions. You were created to be individuated.” This is how we learn in the material world, and then appreciate the oneness we are as part of the whole of the universe.
 From The Legacy of Marcel Vogel (Emphasis added): One of the primary areas of investigations at the Psychic Research laboratory was the relationship between water and quartz crystals. It has been found that by circulating water around a charged Vogel-cut® quartz crystal many changes occur in the water. These changes are referred to as structuring. As we know, water consists of one oxygen atom and two hydrogen atoms that are held together in a covalent bond This is an actual physical force, much like gravity, that holds these atoms together. Structured water can be thought of as water that has a greater degree of bonding between adjacent water molecules than does unstructured water. Structured water also forms a crystalline-like structure consisting of elongated chains of molecules that can be differentiated from the surrounding water molecules by qualities that are consistent with qualities found in liquid crystals such as increased birefringence and a lowering of the freezing point. A microstate is the angular, geometrical alignments that water molecules have when they are in the structured state. Quartz crystal shows a microstate but not a mesophase, as it is a permanent state solid rather than a transitional state or semi solid. When the various angles of the quartz molecule are investigated, a possible basis for its resonance with the water molecule is found. The fundamental geometrical pattern of quartz and water is the tetrahedron. Water molecules, bound together, form tetrahedrons in tilted or puckered rings. This tilting happens because of the bonding angle that exists between any three water molecules. This angle is 109.5 degrees. The normal flat hexagon has angles of 120 degrees. Water molecules with smaller angles, if they are to be formed into a hexagon, must have an uneven structure that is not in a flat plane but is instead a three dimensional object. This uneven structure is formed by what is called the bending angle or angle of tilt. This angle can be between 20 degrees and 60 degrees, but the most common is 26 degrees. This is where the intermolecular bond is the strongest and it happens to be half of the interlattice angle of quartz. The second most common bending angle for water is 54 degrees which is quite close to the interlattice angle of quartz as well. The interlattice angle of a crystal is related to the basal angle. The basal angle is ˝ of the angle of the tip of the crystal. The interlattice angle of quartz is 90 degrees minus the basal angle which is 38 degrees. Therefore the interlattice angle is 52 degrees. This is also the angle of the Cheops pyramid. The intermolecular bonding angle for the water molecule is 104.5 degrees. This is the angle that exists between the hydrogen atoms of each water molecule. It is virtually double that of the interlattice angle for quartz. It is possible that there is a compatible harmonic between water and quartz because of the similarity of these angles. This would allow a resonant transfer of the energies that are imputed to the crystal to a significant group of water molecules in any given sample. The structure of quartz can replicate itself in water because of this resonant transfer based upon structure. The geometric structure produces frequency patterns, harmonics, that can transfer into water. Very small amounts of energy are required for this transfer. The nature of resonant systems is such that a minimal input can achieve a maximal output. Resonance transfer occurs because the energy waveforms coming out of a vibrating substance have nearly identical waveforms. The phase relationships of a resonating system can be defined in terms of the angular separation that exists between adjacent molecules. The six molecules that form one hexagonal ring, when in resonance, will vibrate or broadcast its energy on a wave that has a particular frequency. The first molecule will vibrate influencing the second molecule; the second will affect the third, and so on. The time intervals between successive broadcasts will result in a phase delay which can be converted into a phase angle. Successive waves coming from an oscillating system have successive phase angles that equal the angular separation that exists between members of the system. The phase angle within the vibrating ring of water molecules is 60 degrees (360 divided by 6). If there were 7 molecules in the ring the phase angle would be 360/7 or 51.43 degrees. This is the principle phase angle of quartz. Most of the internal angles of water and quartz are either fractions of this angle or multiples of it. (The Sacred Circle Of Sound that I present above has the same angle!) It is the interlattice resonance between the quartz microstate and the lyotropic mesophase that is the determining factor in the formation of the lyotropic mesophase in water. It is the reason that water can be structured by spinning it around a Vogel-cut® quartz crystal. It does not require large amounts of energy to accomplish this. As an example of resonant transfer, one can imagine a series of dominoes being placed across the United States. from San Francisco to Washington. Each successive domino would be slightly larger and heavier than the previous piece. By the time we reached Washington, the final domino might be as large as the Washington monument. By applying a slight push to the first domino, less than one pennyweight, each domino would be knocked over until the final piece was toppled. Through the introduction of a very small energy to a system the result is the production of enough energy to knock over the final very large and heavy domino. The structuring of water around a Vogel-cut® quartz crystal is dependent upon the program that is imprinted into the crystal. It is the program that brings about the abrupt change in state. A fundamental program that can bring about dramatic changes in water is that of unconditional love. UPDATE 8-26-6: I've recently designed a water enhancing device based on Marcel Vogel's work, and if you are interested in contacting me about supporting this project or obtainnig one of these devices please contact me at 706-937-7379. I'm working directly with Master Vogel Crystal Cutter, Drew Tousley, owner of Luminary Studios. There are other cutters, but I consider Drew the best.
The spherical energy field of a pyramid can be acoustically activated with 51.1 cycles (7!). This will produce a force-field that will completely block radioactivity, even gamma rays. The pyramid must be parallel to the earth and aligned to magnetic north. The energy barrier will begin after 14 hours. The instant a pyramid is positioned in a fixed position on the Earth a spiral begins to generate, and the usable energy of a pyramid does not increase with size. If a larger pyramid is used, a capacitor (Ark of the Covenant design) at the level of the geometric center (Queens Chamber of the Giza Pyramid) can produce more power. The use of copper and quartz will produce the best results. The Giza pyramid was built by changing the molecular bonding (loosen) of the building blocks, easily cut when softer and lighter, and easier to move and place. Then the molecular bonding was rehardened to a tighter molecular bonding. Its based on the ancient astral mathematics from "The Book", and kept from the public because the power of this information, if left to wreckless men, could be used to devistate the Earth. They also used a large ankh that fit around the neck and the horizontal bar was at the hips with the hands honding the ends, and below the horizontal bar was a large quartx crystal that nearly reached the ground. I've told several people, including George Noory, but they insist on asking, "how?", as if they have not been told. There is much more to be told. Learn about another form of Light Language. Below is a solid object that I "see" in the 7 Grid. I percieve this as a power generating device.
 Interesting images I've recently found:
 What strikes me as interesting about the image below, with names of angels, is that there are images of two sets of 7-point chords that total to 14 surrounding an image with one set of 5-point chords ~ 14/5. It is known as the Sigil of Truth.
 The image I created below came to mind while talking to my friend about a job I used to do, braiding wire rope. I remembered that the rope consisted of 7 solid wires of equal size, the seventh in the middle.
 This seems to be the appropriate spot to put Leonardo Da Vinci's "Vetruvian Man" on the 7 Grid to see comparisons, and I made a graphic for this below. It is interesting to note that his upper arms and hands are perfectly aligned with the longest set of chords (chords are lines that go from one point of a circle to another point, and the number 7 is the only number that has 3 sets of equadistant points that end at the same point of beginning as they travel around the circle), and his left foot, if placed identically on the his right side, would have both feet placed pefectly as well. His heart fits perfectly in the center of the "Merkaba" above, as do the head and to torso. The more I look at the 7 graphic that came into my mind over a decade ago, the more I see the universal applications.
 UPDATE 9-13-6: Interestingly, those of us that are working on understanding the gematria of crop-circles are all coming to similar thoughts, as if we are being "tuned in" to a "collective consciousness". I had just talked to my friend, "Sharon", recently about the sacred geometry and Solfeggio, the number 7, and the structure of things. I sent her the picture above (with the 7 celestial wheels) showing the 7th object in the middle of the six, and told her that there is an energy in the middle (and all "natural" circular patterns in life) of the six that "makes the circular 6 really have 7 elements, and likewise with the 7 above having an 8th element in the center that takes the visual concept to an infinity/8 "strength". The 7 elements, when aligned on the circle, with the 7th element moved from the core, takes me back to the thoughts that my 7 graphic opens a "gate". The 8 element, which also suggests the mobius loop, also reminds me of the "zero-point" in the middle of the 8, and also the visual concept of explosion and implosion on either side of the "zero-point". In regards to sound, the 8th element is seen in the 7 graphic as "the potential octave waiting to be moved out from the center as the frequency rises." And as the message that Scot Flansburg give is about zero being a digit instead of "nothing", I can concieve how an eight graphic would inply the 9th element in the core. But as I continue to look at the 7 graphic, I continue to see all the numeric symbology, 0 - 9, inside of it. Then I got online last night and heard Guiness Book Record holder Scot Flansburg speak about math and sacred geometry. I really enjoyed hearing him speak, as the "vibe" he resonated with his voice and words over the radio on Coast 2 Coast AM resonated very good in my heart. I encourage you to visit Scot's website and learn about his math, as it will give you an incredible new "visual" perspective to understand math (I see math right-brained, and this helped me tremendously) and help your children with math. Below is a manmade crop circle employing Stan's incredible discovery (we are rediscovering many things together these days.) about the "9 base" math. Very strange anomolies were recorded during this project, and it all ties in with The Sacred Circle of Sound and the Freewaves Project here as it "resonates" with an understanding of sound and light, and helps us see the correlations through sacred geometry and math.
 UPDATE 9-26-6: I been making the vowels sounds, IAUA, drawn out. Try it yourself, and notice the shape the mouth is making. I find myself doing this too ~ I sound out IA, breath in at the end of the last vowel, and then sound out UA. Sort of like this ~ breath out/sound out- e i a o u - breath in and sound out - u o a i e ( "e yah oo -enhale- oo way e" is how it will sound out). I noticed the tounge returned to the position it started as I went through the sounds. U is the cup letter, and it seemed like the place to pour out/refill and continue for a long sounding out exercise, so I went with it. It resonated well with my soul. Each tone may be made with each of the vowels as you go up the Solfeggio (especially the 5 with the 108 distance), and the go back down the scale, from higher frequencies to the lower, with the "reverse" of the vowels as said in the NAME, or just say the NAME with each tone, from bottom to top. Experiment to see what sounds good with your soul. Again, I believe the sounds made with the human voice will be superior to sounds made electronicly.
(Allow whole page to load first.):
(Takes 14 uninterupted hours to build a field with the pyramid aligned magnetic north. (51.1 cycles) Experiment with the Tone Generator:
UPDATE 11-1-6: Below is a picture from Egypt. Note the ankh, and especially the triangle to the left of the ankh, and then compare it to the triangle highlighted on the 7 Grid. You will see this geometry repeated in many things over the past.
 Note the trapezoid at Nazca:
 UPDATE 11-3-6: Expanding The Cubit. "It is compelling to think of expansion in terms of a honeycomb in that six hexagrams around an original is seven. It does not work that way however else Energy would not be able to radiate freely along the staffs...The Outer Creation comprises the seven great Super Universes. Each Super Universe is attributed with one of the seven permutations. The Seven Great Super Universes follow exactly the same cubistic rule of seven frequencies tied together."
 UPDATE 11-7-6:The Numbers ~ By IAUA. The number system of IAUA is stamped upon all His works. All departments of nature are based on a system of mathematics--great mathematical laws govern the activities of the entire universe. For instance, in the sphere of light, there are exactly seven colors. The seven colors merged together form light. In the sphere of music there are exactly seven whole tones in the scale, while every eighth note begins a new octave and is merely a repetition of the first note. The seven colors correspond to the seven notes in music, and sounds that harmonize correspond with colors that harmonize, while discords in color correspond with discords in music. The human body is completely renewed or changed every seven years. Every part of the body is constantly throwing off old effete matter, and constantly receiving deposits of new and living matter. In seven years the whole structure is altered down to the minutest particles and becomes essentially a new body. In certain diseases, the seventh, fourteenth, and twenty-first are critical days. Man's pulse beats slower every seventh day whether he is sick or well. In diseases resulting from physical exhaustion, the pulse changes every seventh day. With the human being, the period of gestation is 280 days (7 x 40). Indeed, seven is stamped upon physiology. Is it not significant that IAUA ordained every seventh day to be a day of rest, and that He declared man's years to be "Three-score and ten" (7 x 10)? With animals, the period of gestation of the mouse is 21 (7 x 3) days. The hare and rat 28 (7 x 4) days. The cat 56 (7 x 8) days. The dog 63 (7 x 9) days. The lion 98 (7 x 14) days. The sheep 147 (7 x 21) days. With birds, the incubation of the common hen is 21 (7 x 3) days. The duck 28 (7 x 4) days. IAUA's mathematical laws are at work in all departments of nature. The planets of the heavens are governed according to definite mathematical laws. Indeed, nature does not operate by chance, but by design. Volumes could be devoted to showing design in all of IAUA's creation. UPDATE 11-14-6:419 Hertz ("standard 420 hertz"). In my research on this project I am finding interesting things about each one of my frequencies. In this update I wish to share some thought on 419. Here are some thoughts form the perspective of a person that plays violin for now, and I will post more later on this wave here on this uupdate. What people are doing is tuning old violins to new musical fashion. A more passionate view might be that musical treasures are being dangerously souped up to keep pace with unreasonable demands [for a stronger, more brilliant orchestral sound]. The problem begins at A. In fact, that's pretty much the whole problem. When the first Cremonese masters were making their violins, violas and cellos, everybody agreed that the pitch of A above middle C was around 420 cycles per second, or 420 hertz. Since A is the tuning note on which other notes--up and down-- are based, first A is tuned in, then all strings are tightened accordingly. With A at 420 hertz, these instruments, which many say are unequaled for their tone quality, sounded warm and rich among the few other strings in a small chamber orchestra. But as orchestras and concert halls got bigger, musicians started to tune their instruments sharper, raising the pitch of A and thus all the other notes. The more brilliant, more piercing sound could be heard above other players and delight listeners even at the top of the third balcony. The more that violinists tightened their strings, the more pressure they put on their violin bodies. Singers had to reach for higher notes, putting more pressure on their bodies, too. By the time Giuseppe Verdi was writing his operas in the mid-19th century, A had sharpened to 435 hertz. That, Verdi thought, was enough for both man and machine. He got an international meeting in Vienna in 1885 to fix A at that level. It didn't last. In 1939 another international meeting set A at 440 hertz....Many orchestras tune today to 443, 445, or even 450 heretz, stretching strings ever tighter. UPDATE 11-15-6: Shapeshifter / Visionary Music. While attending the 11:11 Living Light Concordance in Asheville, NC
last weekend I was fortunate to meet Bob, Karen of "Cosmic Essences", and
JoAnn, and Gary of While there, Karen and Bob shared some essences with me in water that
was very pleasing. And later I had the opportunity to speak with JoAnn and
Gary briefly. JoAnn and Gary shared some music with me that I got the
chance to play in my quiet space one evening, the DNA Level One ~
Activation 1. It was very effective, and I noted profound effects that
took me through past events and doors in time. This was my first exposure
to their work and project. I felt a strong connection, and intend to
collaborate with them regarding the FREEWAVES PROJECT.
UPDATE 1-9-7: The Symetric Origin Of Alphabet. Click the graphic
above to go to a website that shows the symetry of the alphabet with 7
arrows in an interatcive graphic.
UPDATE 1-5-7: 7
Arrows of the Heart.
Pure Geometric origin of RAINBOW: Photons traveling as toroidal donut
domains. encounter the one lane traffic jam called PRISM, forced to SHARE
SPIN then most efficiently they discover that they can nest 7 different
ways to tilt ALL IN ONE SPACE, by entering the 7 spins of the tetra..thus
emerges from the foci of the prism, the only surviving (ABLE TO
SHARE!)photon donuts SORTED into the 7 tilts of the tetrahedron,(see semi
transparent CONIC tetra prism as sorting device in animation, same
symmetry as heart muscle -above link- which is designed to sort for the
shareable - labeled "pure intention")which are then measured in their tilt
or phase (which measurement of donut photon tilt WE CALL "COLOR")by the
CONE of the eye(IN WAVE THEORY CONIC ANTENNAE ARE NEVER USED FOR ANY OTHER
PURPOSE THAN MEASURING PHASE TILT)..note that when the 7 tilts are
superposed the LIGHT IS WHITE (delay frame in animation).
UPDATE 1-17-8: Sound
Pulses Exceed Speed of Light: A group of high school and college
teachers and students has transmitted sound pulses faster than light
travels—at least according to one understanding of the speed of light.
The results conform to Einstein's theory of relativity, so don't expect
this research to lead to sound-propelled spaceships that fly faster than
light. Still, the work could help spur research that boosts the speed of
electrical and other signals higher than before.
The standard metric for the speed of light is that of light traveling
in vacuum. This constant, known as c, is roughly 186,000 miles per second,
or roughly one million times the speed of sound in air. According to
Einstein's work, matter and signals cannot travel faster than c. Read
more by clicking on the link above.
http://www.livescience.com/technology/070112_ftl_sound.html
UPDATE 8-25-8: Freewaves Project completes first stage of water enhancement: After several years of development, a water is now available that contains millions of frequencies/fractal patterns, including 527 ("528"). The water penetrates and nourishes cells faster than any water tested thusfar.
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